“Epigram on Milton” is, as befitting an epigram, a very short poem linking Milton to two great epic poets of the past, Homer and Virgil. The first is unsurpassed in loftiness of thought, the second in majesty, and since Nature could not go any further in any of these qualities, in creating Milton she combined the two.
“Alexander’s Feast” is another of these odes on St Cecilia’s Day, and again it has a musical setting by Handel. It’s a longer poem and so the resulting musical piece is a full-blown oratorio, so it’s more of a time commitment and for this reason I did the unpardonable thing – I broke it in two. So far it’s not as impressive as the previous one, IMHO, but maybe it’s precisely because I didn’t listen it properly from the start till the end. The poem is about Alexander celebrating with his mistress Thais his victory over Persians. There is a big party and the singer Timotheus sings a song about the legendary divine origin of Alexander, who according to an oracle was not the son of Philip but of Zeus himself, who visited his mother as a dragon. The listeners exclaim “A present deity!” and Alexander nods, pleased with the flattery. The next part of Timotheus’ song is about the god of wine Bacchus, who arrives greeted by the sounds of trumpets and hautboys (both instruments, I am sure, unknown in antiquity), but it gives the composer an opportunity for some fine musical effects. Wine-drinking is praised as “the soldier’s pleasure” because “sweet is pleasure after pain”.